Klimt early work
Beethoven Frieze
painting by Gustav Klimt
| Beethoven Frieze | |
|---|---|
| Artist | Gustav Klimt |
| Year | –[1] |
| Medium | Charcoal, graphite, black, red and coloured chalk, pastel, casein colours, gold, silver, gilt stucco, applications (mother-of-pearl buttons, brass uniform buttons, mirror fragments, ground glass, brass curtain rings, upholstering nails, semi-precious stones) on mortar render over reed matting[1] |
| Location | Secession Building, Vienna, Austria |
The Beethoven Frieze (German: Beethovenfries) is a painting by Gustav Klimt on display in the Secession Building, Vienna, Austria.[2]
Description
In , Klimt painted the Beethoven Frieze for the Fourteenth Vienna Secession exhibition in celebration of 75th anniversary of the composer Ludwig van Beethoven's death.
It was featured alongside a monumental polychrome sculpture by Max Klinger. Meant for the exhibition only, the frieze was painted directly on the walls with light materials.[3]
The frieze is large, standing at &#;m (7&#;ft 1&#;in) high with a width of &#;m (&#;ft).[4] The entire work weighs four tons.[5] It is inspired by the composer Richard Wagner's interpretation of Beethoven'sNinth symphony.[2]
The frieze combined Ancient Greek, Byzantine, early medieval, and Japanese art styles, while incorporating Klimt's characteristic use of gold leaf.
Its left side begins with genii floating toward a knight, driving him to champion the driving force: happiness. The middle panel displays personified threats to the striving (imagined as male) individual, such as lust and sexuality's then feared consequence: syphilis. Controversial in its time, this scene prefigures Picasso's putative brothel scene in Les Demoiselles d’Avignon.
The frieze's (as solution to the problem of lust, or libido, gone astray) and culminates choir singing in a loving embrace directly referencing Beethoven's "kiss" of all humanity in his symphony [6] The symbolism of the frieze was laid out in great detail to the original public through a published exhibition brochure.
Left wall: "the yearning for happiness; the sufferings of weak mankind; "
" their petition to the well-armed strong one, to take up the struggle for happiness, impelled by motives of compassion and ambition.
Middle wall: the hostile forces; Typhon the giant, against whom even gods fought in vain; his daughters, the three Gorgons, who symbolize lust and lechery, intemperance and gnawing care.
The longings and wishes of mankind fly over their heads."
Right wall: "the yearning for happiness is assuaged in poetry.
Klimt e fregio di beethoven biography Although primarily rejecting classical, academic art, the group did not focus on any one particular style, instead focusing its efforts on supporting young nontraditional artists, bringing international art to Vienna and exhibiting the works of its members. When the other two pieces, Medicine and Jurisprudence, were exhibited in subsequent exhibitions, they were met with an equally indignant response that ultimately resulted in a petition urging that they not be installed at the school, due to their ambiguous and pornographic nature. The red pencil marks are cropping indications for the photographer. It was featured alongside a monumental polychrome sculpture by Max Klinger.The arts lead us to the ideal realm in which we all can find pure joy, pure happiness, pure love. "
" Choir of angels from Paradise. 'Joy, lovely spark of heaven's fire, this embrace for all the world."[7]
History
In , art collector Carl Reininghaus acquired the Klimt's Beethoven Frieze to prevent its destruction after the 14th Vienna Secession.
In appreciation for preserving his work, Klimt provided Reininghaus with over preparatory sketches, one of which was sold to the Museum of Fine Arts, Boston in Industrialist August Lederer was encouraged by his wife, Serena, to acquire the frieze and many of these sketches in [8]
During the German annexation of Austria, the widowed Serena Lederer was forced to abandon her art collection as she fled to Hungary to avoid Nazi persecution for her Jewish origin.
After the painting was recovered by Allied forces from the Altaussee salt mine in Austria in , it was returned to Serena's son, Erich Lederer.[8] In , Erich sold the frieze for $, (half of its purported market value) to the Austrian government in exchange for ChancellorBruno Kreisky granting export licenses for the Lederer family's other Klimt pieces.[5]
Over ten years, Manfred Koller of the Austrian Federal Monuments Office restored the work.
Klimt e fregio di beethoven biography images Indice sposta nella barra laterale nascondi. When several years later they were still not exhibited anywhere, an incensed Klimt withdrew from the commission and returned the fee in exchange for his paintings. Because of the frieze's fame and popularity, it was made the main motif of a collectors' coin: the Austrian euro Secession Coin , minted on 10 November Hidden categories: Articles with short description Short description is different from Wikidata Use dmy dates from February Pages using infobox artwork with the material parameter Articles containing German-language text Commons category link is on Wikidata Webarchive template wayback links.After the Secession Building built a climate-controlled basement room in , the Österreichische Galerie Belvedere permanently loaned the piece, publicly displaying the piece since In , museum visitors were provided with headphones to hear Beethoven's Ninth Symphony while viewing the frieze in celebration of the composer's th birthday.[2]
In , some members of the Lederer family filed a claim for the Beethoven Frieze to be returned.
However, the Austrian Art Restitution Advisory Board definitively rejected this request in , finding that Erich Lederer had voluntarily negotiated the sale price and that the Austrian government had significantly invested in its restoration at the Secession Building.[9]
Commemorative coin
Because of the frieze's fame and popularity, it was made the main motif of a collectors' coin: the Austrian euro Secession Coin, minted on 10 November The reverse side features a small portion of the frieze.
The extract from the painting features three figures: a knight in armor representing "Armored Strength", one woman in the background symbolizing "Ambition" holding up a wreath of victory and a second woman representing "Sympathy" with lowered head and clasped hands.[3]